I spent several months in Paris doing research, and the result I, as a foreigner, and the topic of being from another country. And that fit well with this constellation: After Juliette asked me if we could work together, I asked myself, what can IĪs a non-Frenchman say about France that a French citizen couldn't say better. There are already two cities in Europe where this fact is obvious, and where a truly multicultural Many Austrians aren't happyĪbout it, but it's unavoidable. In both cases, the primary reasons were and are economic, the disparity between rich and poor. There was a great deal of migration at theĮnd of antiquity and the beginning of the Middle Ages, and now it's happening again as a result of different factors, though I've always wanted to make aįilm about modern-day migration, which will be the main theme of this century. MICHAEL HANEKE: It all started with Juliette Binoche, who called one day and asked if we could work together. Michael Haneke on his Cannes 2000 contribution Code Inconnu and his next film Die Klavierspielerin with Isabelle Huppert that started shooting in AugustĪfter making four Austrian feature films, Code Inconnu is your first French production.
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